On the morning of September 11, 2001, Paul McCartney was in New York City on an airport runway waiting to fly to Britain. As he absorbed the news of the unfolding tragedy, he wondered, “What can I do?” The answer, of course, lay in music. McCartney reached out to master documentarian and long-time friend Albert Maysles, inviting Maysles to document his personal experiences on 16mm black and white film, a format seldom used in the digital age but of proven endurance and artistic quality. Over several weeks in October 2001, Maysles’ camera followed McCartney as he prepared for The Concert for New York City, a benefit he helped organize to uplift New York City during this period of uncertainty and vulnerability. The footage went unseen for years, requiring the passage of time to be put in perspective. Now, ten years later, Maysles, his directing partner Bradley Kaplan and editor Ian Markiewicz have emerged with an intimate work that explores the role of art and artists in a time of crisis.
2023-06-10 13:24:42，最后更新于 1年前
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倒序电影《爱情的模样》的剧情详细介绍
◎影片名称：爱情的模样
◎影片类型：纪录
◎豆瓣链接：6805931
◎IMDb链接：tt2006276
◎影片时长：89 分钟
◎影片导演：阿尔伯特·梅索斯
◎影片主演：大卫·鲍伊 比尔·克林顿 莱昂纳多·迪卡普里奥 杰斯 保罗·麦卡特尼
◎上映日期：2011-09-10(美国)
◎影片地区：美国
◎影片语言：英语
◎更新时间：2023-06-10 13:24:42
◎影片剧情：
On the morning of September 11, 2001, Paul McCartney was in New York City on an airport runway waiting to fly to Britain. As he absorbed the news of the unfolding tragedy, he wondered, “What can I do?” The answer, of course, lay in music.
McCartney reached out to master documentarian and long-time friend Albert Maysles, inviting Maysles to document his personal experiences on 16mm black and white film, a format seldom used in the digital age but of proven endurance and artistic quality. Over several weeks in October 2001, Maysles’ camera followed McCartney as he prepared for The Concert for New York City, a benefit he helped organize to uplift New York City during this period of uncertainty and vulnerability. The footage went unseen for years, requiring the passage of time to be put in perspective. Now, ten years later, Maysles, his directing partner Bradley Kaplan and editor Ian Markiewicz have emerged with an intimate work that explores the role of art and artists in a time of crisis.
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